As a kid, my desire to write corresponds very closely with the year I lost my marbles. This was circa 1972, when we used to play marbles in the yard--not the kind of traditional marbles with the circle and the aggies and the shooters--but mumbly-peg marbles where we tossed our "cat's eyes" and "beanies" and "milk glass" from a standing position. We played for "keeps", and over one summer I amassed a veritable pot of decorative glass and steel marbles which I collected in a pottery urn.
All of my prizes I kept in a small leather pouch that was cinched at the top with a shoestring.
Later that summer, when the pouch disappeared, I began writing to pass the time. Summers were long then (with school letting out around Memorial Day and not beginning until after Labor Day). A kid could get lost in those three months if he didn't have a plan for baseball, or bicycles, or fighting in the alley between the drugstore and the five-n-dime.
Me? I began writing my own magazines after I lost my marbles, and I learned that being a writer requires an even tougher disposition--especially since writing is a solitary pursuit and feedback, even from one's parents, is sporadic and fleeting.
Me: Mom, look at this book I wrote!
Mom: That's nice, honey. Now why don't you go outside and push mow our five-and-a-half acre yard or weed the poison ivy that's growing up the gutters?
Me: Okay. And after that, can I show you some of the stories I've written?
Dad: Be glad to read 'em, pal . . . but first, take these trimmers and get to work on the hedges. Just don't cut off your pecker. Don't want any accidents out there!
Me: Sure. And how about I also show you some of these poems which bear a remarkable resemblance to the work of Robert Frost or Edna St. Vincent Milay?
Mom: No problem. But first I need you to hop on your bicycle and peddle down to the IGA and buy a quart of ice cream. Hurry back. If I see any melting it's gonna be your hide, mister.
Me: Then will you read my four-thousand word essay about the greatest horror movies of all-time?
Dad: Horror? There's nothing more horrible than losing your pecker. Have you scythed that acre of sticker bushes yet?
It's no wonder I kept writing. Words have saved me from a life of manual labor, but I'm still looking for that leather pouch.
All of my prizes I kept in a small leather pouch that was cinched at the top with a shoestring.
Later that summer, when the pouch disappeared, I began writing to pass the time. Summers were long then (with school letting out around Memorial Day and not beginning until after Labor Day). A kid could get lost in those three months if he didn't have a plan for baseball, or bicycles, or fighting in the alley between the drugstore and the five-n-dime.
Me? I began writing my own magazines after I lost my marbles, and I learned that being a writer requires an even tougher disposition--especially since writing is a solitary pursuit and feedback, even from one's parents, is sporadic and fleeting.
Me: Mom, look at this book I wrote!
Mom: That's nice, honey. Now why don't you go outside and push mow our five-and-a-half acre yard or weed the poison ivy that's growing up the gutters?
Me: Okay. And after that, can I show you some of the stories I've written?
Dad: Be glad to read 'em, pal . . . but first, take these trimmers and get to work on the hedges. Just don't cut off your pecker. Don't want any accidents out there!
Me: Sure. And how about I also show you some of these poems which bear a remarkable resemblance to the work of Robert Frost or Edna St. Vincent Milay?
Mom: No problem. But first I need you to hop on your bicycle and peddle down to the IGA and buy a quart of ice cream. Hurry back. If I see any melting it's gonna be your hide, mister.
Me: Then will you read my four-thousand word essay about the greatest horror movies of all-time?
Dad: Horror? There's nothing more horrible than losing your pecker. Have you scythed that acre of sticker bushes yet?
It's no wonder I kept writing. Words have saved me from a life of manual labor, but I'm still looking for that leather pouch.
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